Language: English Words: 6,479 Chapters: 1/1 Comments: 9 Kudos: 24 Bookmarks: 3 Hits: 408ĬhiQuelle95 Fandoms: Pitch Perfect (Movies), Pitch Perfect RPF Could Beca’s third confession be the charm? Series They were the types of friends that would always be assumed to be dating, but in reality, they never were and likely never will.
While they were in college, Beca made two drunken confessions to Chloe, but the two laughed it off and never brought it up again. Language: English Words: 27,040 Chapters: 7/12 Comments: 51 Kudos: 171 Bookmarks: 23 Hits: 2796įor AnnaKendrick47 Fandoms: Pitch Perfect (Movies) The Bechloe tattoo AU nobody asked for, but we all definitely need. Chloe has just returned from Worlds, and is out celebrating when the Bella’s decide to get matching tattoos. I’ve completely made up Beca’s backstoryīeca’s lived in her uncle’s tattoo shop since she was nine, and she’s grown up in a world of ink and needles ever since.Creator Chose Not To Use Archive Warnings.LindorBear Fandoms: Pitch Perfect (Movies) They merit more nuanced understandings within a cultural and political context where they have increasingly come under siege, inside and outside of Haiti.I’ll Etch Lines Across Your Skin (and in this way you know I love you)
As twin pillars of Haitian resistance and cultural identity, Vodou and Kreyòl remain a vital and vibrant part of the American heritage. Trouillot’s innovative yet understudied masterpiece offers contemporary readers “new narratives” (Ulysse, 2015) of Haiti. Ti difé boulé examines neocolonial patterns of oppression emerging during the nineteenth century and critiques revolutionary icon Toussaint Louverture, revealing how Haiti’s predatory State harnessed Vodou to continue systematically subjugating the Haitian people. Vodou and Kreyòl, born out of struggle within a repressive colonial framework, are the forces underlying Haitian resistance. The young activist, writing in Haitian Kreyòl from New York City during the Duvalier dictatorship in Haiti, powerfully contests official versions of Haitian history by emphasizing the Haitian people’s agency. This essay analyzes selected passages from Ti difé boulé that explicitly incorporate Vodou songs, prayers, and terminology to show how Trouillot provocatively deploys oral sources of historical narrative and memory. Michel-Rolph Trouillot’s first book, Ti difé boulé sou istoua Ayiti (1977), exposes the foundational role of Haitian Vodou and the Kreyòl language in Haiti’s Revolution (1791-1804).
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